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Works Cited

Davis, Janet M. The Circus Age: Culture & Society Under the American Big Top. University of North Carolina Press. North Carolina, United States of America, 2002, pp. 5-66.

Winkiel, Laura. “Circuses and Spectacles: Public Culture in ‘Nightwood.’” Journal of Modern     Literature, vol. 21, no. 1, 1997, pp. 7–28. JSTOR, JSTOR.

Ferguson, Shona. “Becoming Circus: Rules, Transgression and Self-representation at         Zippo’s.” Cambridge Anthropology, vol. 24, no. 2, 2004, pp. 51–74. JSTOR, JSTOR,      www.jstor.org/stable/23820881.

Burgess, Hovey. “The Classification of Circus Techniques.” The Drama Review:  TDR,  vol. 18, no. 1, 1974, pp. 65–70. JSTOR, JSTOR, www.jstor.org/stable/1144863.

Baltrop, Chris. “The Circus Is a Cultural Icon, Close to People's Hearts.” The Centre for Circus Culture, Norma Zimmerman Studio, 20 Feb. 2017.

Flint, Richard W. “The CIRCUS in America: The World's Largest, Grandest, Best Amusement Institution.” The Quarterly Journal of the Library of Congress, vol.  40, no. 3, 1983, pp. 202–233. JSTOR, JSTOR www.jstor.org/stable/29781982.

Tait, Peta. “Feminine Free Fall: A Fantasy of Freedom.” Theatre Journal, vol. 48,  no. 1, 1996, pp. 27–34. JSTOR, JSTOR, www.jstor.org/stable/3208712.

Jones, Rachel. Personal Interview, 29 October 2018.

Kavanagh, Katharine. “Circus as Multimodal Discourse: Performance, Meaning,          and      Ritual. By Paul Bouissac”. Theatre Research International, vol. 41, no. 1,         2016,   pp. 92–93., doi:10.1017/S030788331500070X.

Boussiac, Paul. "Circus and Culture: A Semiotic Approach. (Advances in Semiotics, Edited by Thomas A. Sebeok.) Bloomington and London: University of Indiana Press, 1976. Pp. Xiii 206.” Language in Society, vol. 8, no. 2-3, 1979, pp. 449–453., doi:10.1017/S0047404500007673

Sleopy, Violet. “The Power of Costume.” Smithsonian Folklife Festival, 7 Aug. 2017.

“The FSU Flying High Circus.” Performances, Florida State University, 2018.

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